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Omega’s fire embodies the passion he embeds into his craft. You aren’t even close to being qualified.
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So don’t tell Mike Tyson how to box, and don’t tell Tyson Smith how to wrestle. But Tyson was confident in his abilities, and he knew he was the best. “Is there a risk? Was there a risk when Mike Tyson was fighting within inches of space between another championship-level boxer throwing power punches? Of course. “Don’t tell me not to wrestle the way I know how to wrestle,” says Omega. To reach his absolute best, Omega must be afforded the space to create his own work. What was he doing boxing in-style? Shouldn’t he have fought more stick-and-move and waited for the counterpunch? Wouldn’t that have been better for his brain? Didn’t he understand how dangerous it was? But that’s what made him Mike Tyson.” His style was so dangerous, he stayed so close to his opponent. And we both knew I would end up coming out of the move unscathed. “Well, you think? So I’ve been asked, why did we do it? It made sense in the match and evoked emotion. “There are people who want to complain and put themselves on a pedestal by saying what we did was dangerous,” says Omega. During Forbidden Door, that belief-which could have hindered someone unprepared or reckless in the moment-brought his match with Ospreay to an entirely different level. That belief is rooted in his preparation. Omega possesses a steadfast confidence, which is a prerequisite for any talent at the top of their field. We weren’t meant to be them.” Some fans couldn’t help but wince when Ospreay dropped Omega on his head at ‘Forbidden Door.’ “During the high flying acrobatics, or seamlessly strung together choreography, I never go, ‘How stupid is this guy? If he falls, he’s dead.’ We’d be dead if we tried that. I could do that.’ But there certainly are times when I watch what they do and know this is their identity, and that is the reason why they’re on that stage. As I watch these shows and their stunts and their compositions for every scene, it is rare for me to go, ‘That looks easy. “To me, that’s the peak form of that style of entertainment.
“In terms of a live and physical performance, I’ve never seen anything more mind-blowing-skill-wise, performance-wise, production-wise-than Cirque du Soleil,” says the Canadian-born star, who was honored to wrestle one of the most spectacular matches of his career at Forbidden Door in Toronto. Providing insight into why that move was so valuable to the heartbeat of the match, Omega shared a detailed view of its significance. And performances like that will be few and far between as I get older and older.” “They just want to put a dark mark on that match, which is a performance I’m extremely proud of. “There are a lot of people criticizing who do not have my best interests at heart,” says Omega, who is 39-year-old Tyson Smith. Yet he is the painter holding the brush, and ultimately he decides how the art unfolds on the canvas. In the ensuing weeks, Omega has repeatedly heard that the move is too dangerous.
Throughout the story of the match, Ospreay could not muster the strength to break Omega’s fighting spirit, so he instead broke him with the Tiger Driver, which led to the finishing sequence just shy of the 40-minute mark. An integral reason why the match was so emotional was the Tiger Driver. This was a rematch of their exceptional bout at Wrestle Kingdom in January, and somehow the sequel exceeded the original.
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Omega’s creativity was on full display at Forbidden Door against Ospreay.
Omega appreciates people caring about his health, but also feels he has earned the right as an artist to wrestle a style that he believes will be the most effective.
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That isn’t to imply Omega discarded people’s genuine well-wishes after taking a devastating looking Tiger Driver at the pay-per-view, where he was effectively dumped on his head by Will Ospreay. It is a question Omega has grappled with since last month’s Forbidden Door pay-per-view. If you wouldn’t tell Patrick Mahomes how to play quarterback, or question the way Nikola Jokić operates his inside-outside game, or even explain the finer points of hitting (or pitching) to Shohei Ohtani, then why are people telling Kenny Omega how to wrestle? Transcendent athletes need the opportunity to create.
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